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Is it possible for humanity to create a peaceful society with the means at our disposal?

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Several ideologies could lead to the answer,

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but each would require the entire populace to opt in, and none is without disadvantages.

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Were everyone made to think the same way, and to work towards the betterment of society as a unit then it might function perfectly.

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But to do this would mean sacrificing individuality,

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which doesn't fall in line with the values of most societies.

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On the other hand if everyone was allowed to embrace their individuality as

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much as possible, it would lead to conflicts in which someone's needs come at the cost of another's

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and more willful people would subjugate the weak. Neither of these systems is ideal,

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and what we have in most of first world society is a compromise based middle ground.

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Everyone is made to follow certain agreed-upon rules,

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but is still allowed to make many of their own decisions and represent their individual identity.

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Absolute peace seems impossible under the system, as individuals disagree about what should be included in the law,

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but a general sense of comfort is achievable for most, and so the system is easy to fall in line with for

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all but the most extreme psychological outliers. Even if the level of happiness felt by,

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and opportunities available to different people are still unequal. A worthwhile question is of whether it is in human nature to desire individuality,

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or if it is a product of the culture that we grow up in. Were humans raised to believe that there is an

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absolutely correct way to live, would they be happy being made to live that way? Western media is quick to present these societies as

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fundamentally evil and terrifying because as people born into a society which prizes individuality,

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we are terrified of being forced to lose it.

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But these presentations are mere punditure, because for a person raised in those societies, their way of life would seem just as natural to them.

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The best way to convince a populace to adhere to these systems is through the idea of objective morality.

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Most societies implement this via religion,

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convincing people that there is a higher power making distinctions between right and wrong. In the world of Pyscho-Pass,

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this is done through science, convincing people that morality can be quantified via technology.

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The word 'convincing' is integral here as the civil system is not absolute.

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It is comprised of a literal hive mind of people with differently wired brains

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making judgments about what is or isn't moral and deciding who fits into their society.

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The populace is complicit in the system's existence

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because it does such a good job of making most people happy with its judgments that they have no reason to question it,

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and after a generation born brainwashed into complacency with it, its dominance has taken hold

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Psycho-Pass poses for us the moral question of whether or not it is justified to build a happy society

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on the foundation of lies and the destruction of dissent. Is it okay for the civil system to exterminate

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those who it isn't fit to save in service of the greater good? Is happiness based on lies and having your identity

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Shaped by the system sustainable? Or will it actively drive people insane?

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Psycho-pass is one of my favorite anime because it does not attempt to provide a clear-cut answer to these questions.

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Our knee-jerk reaction to the civil system is revulsion

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Many including myself have criticized that it makes no sense for the Dominators to kill people in such an over-the-top fashion,

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as it is pretty obviously a bad look for the system and would only traumatize anyone who saw it.

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However, I will also defend not only that it looks cool as shit,

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but also that it is symbolically helpful for the viewer making clear in no uncertain terms that these people are being fucking horribly murdered,

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whether it's justified or not. You could say that this is both pandering and hand-holding, and you'd be right,

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but as an aesthetic choice it's one that I enjoy a lot.

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But is the civil system particularly different from what we already have?

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Our society already passes judgment on individuals based not only on their actions,

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but on suspicions and prejudice. Instead of from the top, the power comes from everywhere, and no one has matching information,

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or even coherent information most of the time. Psycho-Pass presents us with a society in which crime is so rare

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that citizens within the system literally can't even recognize a crime when it's happening right in front of them. And while this is negatively exploitable,

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can we really say it's worse than a more chaotic system in which tragic mass killings happen so often that people live in fear of them?

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It is integral to the message of Psychopaths that the civil system is not inherently or objectively evil.

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Crime in this society is at an all-time low, and standards of living are at an all-time high.

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For the average citizen, the system does such a good job of managing their lives that they have no reason to question it.

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Most people are content,

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and those who aren't will either be counseled into contentedness, or otherwise fall into the cracks of society,

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which are the places that the series sets out to explore most thoroughly.

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The reason I'm explaining all of this is that, while Psycho-Pass is a massively entertaining cop drama,

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with one of the most memorable rivalries in modern anime,

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between a hugely magnetic villain and a badass hero

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that anyone can rally behind, when I think about what makes the series a favorite I always come back

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to the scene in the final episode, when Akane decides to continue working within the system and trying to help improve it.

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At the core of Psycho-Pass's narrative and much of Urabuchigen's writing is an ideological conflict

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the Sybil system represents absolute control, while Makishima represents absolute chaos.

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Makishima's rebuttal to the highly functional society of brainwashed drones

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is that a life which isn't felt, or based around one's individual identity is meaningless.

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He sees no purpose in the betterment of society if it comes at the cost of the individuals emotions,

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and ability to express themselves, even if that expression comes at the cost of others' lives.

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In between these extremes we find Kogami Shinya,

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who represents the middle ground that humans most often arrive at. A ground in which - while there is belief in the need for some degree of

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Order and rules within a society - those cannot be enforced in ignorance of human emotion.

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In his case the desire for vengeance against a criminal

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overpowers his ability to logically follow along with what will most benefit society.

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He cannot bring himself to bend to the will of a system, which he disagrees with morally,

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and this eventually drives him out of that system.

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Kogami reflects the feelings which most viewers will have going into the series - that Makishima must be punished for his evils,

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and that it would be unreasonable to reward his actions, even for the supposed benefit of society.

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Akane's rebuttal to the Sibyl systems cold logic is that it ultimately misrepresents the spirit of humanity's creation of the law.

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Mankind's trepidation towards forgoing individual liberty in service of the greater good is not merely selfish,

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but out of hope that there is another way - that perhaps there truly is an agreeable middle ground in which everyone will be happy,

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and no one has to lie, or be cast aside in order for things to work.

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Akane witnesses firsthand evidence that there is more which can be done via counseling and the human touch

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to communicate with supposedly incurable criminals than what the Sibyl system currently Implements.

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She knows that while the current system is more functional than what was there before,

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and therefore cannot be destroyed wholesale, it can clearly be improved upon.

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Or perhaps alternatives can be found which function even better without being founded on lies.

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Ultimately the biggest flaw of the Sibyl system is that it is rushed. It claims to be a perfect system so that the populace will comply with it,

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But it is only functional to a point, and seeks to hide the parts that don't work via lies and brainwashing

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which makes it that much harder to think about fixing. The more we see cracks in the system the more clear its dysfunction.

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Until the point where it seems that a replacement is outright necessary.

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But it is at this realization where the series concludes,

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not accounting for the dreadful sequel that you should not watch, nor the okay movie which does little to expand on the show's ideas.

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Psycho-Pass had me at 'hello' with its awesomely realized and functional cyberpunk world, and later got its claws in me with it's gripping narrative,

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memorable characters, and the wonderful love ability of Tsunemori Akane.

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And i've spent no shortage of breath discussing the strengths of the series,

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especially as compared to its dismal sequel. My first time watching it I spent much of the viewing

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abjectly terrified that it was eventually going to become a show about dismantling the Sibyl system,

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culminating in some huge stupid action scene in which the building that houses the system is blown up.

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When I got to the vastly more nuanced conclusion I was so ecstatic that it became an immediate favorite.

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I'm sure that there are many details about the story

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which I could nitpick, and just as many which I could praise for their imagination which I've never seen elsewhere,

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but ultimately it's the presentation of the Sibyl system, and its pros and cons, and the decisions made by the characters within that system

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which have left such a lasting impression on me.

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This video is the fourth in a series about why each of my favorite anime has earned its spot amongst the others.

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If you find after watching it that you would like more context into my views on anime,

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then I recommend watching this playlist of what I consider Essential videos to understanding my viewpoint.

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If you enjoy my content, then consider supporting me on Patreon where you'll quickly be introduced to the insanely vast amount of it,  which I release on a daily basis.

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Thanks again for watching, and I'll see you in the next one.

