WEBVTT
Kind: captions
Language: en

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Have you ever experienced something 
that moved you so profoundly,

00:00:05.120 --> 00:00:08.560
but was near impossible 
to explain to anyone?

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A brief shining moment of beauty 
that was impossible to capture?

00:00:14.040 --> 00:00:20.280
It’s this particular emotion 
that resounds with fans of SoGreatAndPowerful.

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SoGreatandPowerful was an independent musician 
whose brief presence online

00:00:30.080 --> 00:00:33.520
attracted a very small but dedicated following.

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While the content of his music and blog posts 
were what sparked the initial interest in his audience,

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his mysterious disappearance 
that followed soon afterward

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is what truly bound his fan community together

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and has kept it alive to this day.

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This is the story of SoGreatandPowerful.

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Describing SoGreatandPowerful’s music 
can be a little challenging,

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so I spoke to some of his fans 
to get an impression of what their experiences were.

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BOBY: Alright, hit me up 
with those questions, what's up?

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DANIEL: Alright, so first question is

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How would you describe SGaP 
to someone who has never heard of him?

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BOBY:  I don't really know how to describe it. 
It's extremely difficult to describe without actually

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listening to it because 
I think it's so unique, you know?

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This is like the hardest question 
you could possibly ask me so…

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DANIEL: Wow, okay. 
I'm gonna not start with that next time.

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DMC:  As we all know, 
his music is very peculiar,

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very one-of-a-kind for many things.

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It’s not easy to pinpoint a genre or style.

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RON: It's something that's hard to categorize
or define,

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just because you don't fully understand it 
the first time you encounter it.

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So it’s something 
that you have to get to know over time.

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BOBY:  Very few musicians are able to like actually like take me somewhere else,

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just solely
through their music.

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And that's like one of the things that drew me to him.

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And that’s one of the things 
that I can describe

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that’s pretty unique 
about his music is that like

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It's extremely atmospheric, and like 
every time I listen to it it's just

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I'm like taken away 
to somewhere else, you know.

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EMBER:  I described it before, just

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music that's really dense with rhythms
and lots of sound design, but it still

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kinda maintains this soft air, this soft tone 
overtop of everything.

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And that sometimes he writes some really interesting

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or cute or lighthearted lyrics on top of it,

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with this really kind sounding voice.

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It’s a real wholesome experience,

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but it’s still super interesting 
and exciting to listen to at the same time.

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Among the most identifying 
of SGAP's musical style

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is his intriguing use of borrowing and employing

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audio samples from a variety of sources,

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including, TV, film, and other musicians.

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Among the most notable of his influences
however, was surprisingly enough

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the My Little Pony franchise.

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In 2010, My Little Pony had just been rebooted

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with a new TV series.

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It was getting a lot of attention – 
not just from children, but adults too.

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An online community 
was forming surrounding this show,

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and soon fan art and music 
inspired by My Little Pony

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became widely popular online.

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Inspired by this flourishing online
creativity, SoGreatandPowerful created

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his first song in October 2011, and
uploaded it to his YouTube channel.

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It was named 'Flutterwonder' and it was a
musical reinterpretation of a song from

00:04:08.310 --> 00:04:11.320
the My Little Pony Friendship is Magic
TV series,

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featuring an original music video 
made from clips from the cartoon.

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After it was well received, SoGreatandPowerful

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continued creating songs in like manner,

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in order to complete 
what became his first album, The Standard Model.

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It highlighted themes from the cartoon

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such as friendship, community, and creativity.

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RON: If I were to describe SoGreatandPowerful 
to someone who had never heard of them,

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I would start by talking about 
this show called My Little Pony.

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And SoGreatandPowerful 
is a musician inspired by that show

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who thrives off of the 
layers and layers of meaning that it has.

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EMBER: I would describe it to my friends as, like yeah

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he takes clips from a My Little Pony show,

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but then like integrates it in original music,

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and then makes something really interesting out of it.

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It’s really -- it’s something else.

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DMC: He has lots of influences,

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and I think MLP only happens to be one of them.

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And in some songs 
it may be a major influence, in other songs,

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not so much -- not as much.

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In his second album, titled ‘S2’,

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SoGreatandPowerful began to write 
about more diverse topics.

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This became the first time 
he introduced his own vocals,

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rather than his previous style of voice-clip splicing.

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Now with the freedom of his own lyrics,

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he was able to express himself 
through quoting philosophers and poets.

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Though on the surface the music 
was still about characters from My Little Pony,

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he often used them as a starting point, 
where he would then explore deeper concepts.

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EMBER:  From space pony onwards -- 
he stops sampling the shows directly,

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and starts just kinda writing about them,

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and creating his own original compositions.

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DMC: In ‘space pony’ for example,

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he explores many-many themes 
regarding afterlife,

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or the unknown, or the infinite, 
or many themes such as those ones.

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But those have very little to do 
with generation one MLP characters.

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That’s not something easy to explain 
to someone who’s not familiar with him

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or with MLP especially, because

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they see MLP ‘cause that’s the surface,

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that’s the facade.

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And they see that and they go

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“Oh okay, this is all about that, isn’t it?”

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But it’s really not the case.

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RON: Like, the first time I listened to it,

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I was thinking,

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“I don’t really understand 
what this was saying.”

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But then,

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when I listened to it again, 
after doing all the “extra learning”

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that you have to do to understand 
some of the messages he wove in,

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It was really satisfying, being like,

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“Oh my gosh. This is what it means.”

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DMC:  ‘E48’ came out on August,

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23rd August of 2012, and that's when I noticed.

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And I remember listening to it, 
but not really getting it, I think?

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Like I thought it was kind of weird for --

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It didn’t really get me, 
you know, from the get go.

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Like there are some requirements

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to immediately understand that kind of music.

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EMBER: I have a vivid memory of, like,

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sitting in my bedroom with my iPod Touch,

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under the blankets with my lava lamp 
on in the background,

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and just listening to ‘galaxy’ over and over again.

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and that kind of, like, intensity -- 
but remaining soft and gentle,

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spoke to me,

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but also seemed like I wasn't gonna 
find that kind of sound anywhere else

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no matter how hard I tried.

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BOBY: Like when I first found him

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there were lots of long nights 
where I would just stay up in my bed

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listening to his music just like 
over and over and over again.

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Playing the songs I was really into, 
just over and over again

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or like the EPs or whatever

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And uh --

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I think that was in like a time 
in my life where

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I didn't really like have 
 a lot of friends or like --

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anyone to really talk to or connect to.

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I would really just stay up and do
nothing but just like listen to SGaP.

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It really like genuinely helped
me through that time, I think.

00:10:10.700 --> 00:10:14.300
While the content of SGaP's uploads 
were unique,

00:10:14.300 --> 00:10:18.060
perhaps more notable 
was his disposition towards his work.

00:10:18.280 --> 00:10:22.900
By 2011, SoGreatandPowerful’s first album, 
‘The Standard Model’

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in its entirety was made available on
his YouTube channel.

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But then, to the surprise of his fans, 
he unlisted it,

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essentially hiding every one of his songs, 
except the most recent.

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From here on out, 
this became a regular pattern.

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With each new upload, 
the previous would be unlisted.

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DMC: So he started unlisting
most of his videos.

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And I remember at one point, 
there was just

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almost the entire channel was 
quote-unquote “gone”.

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And so people already started like

00:10:54.580 --> 00:10:58.540
making YouTube playlists for all of
SGaPs stuff,

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[laughter] so that people could still

00:11:00.870 --> 00:11:05.140
get to them indirectly.

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Because his followers began to anticipate the loss

00:11:07.840 --> 00:11:13.120
of his work, several individuals 
began to create public storage archives.

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These greatly helped the following to thrive,
with open access to his hidden media,

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as well as making it easily accessible 
for newcomers.

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Towards the end of 
his second album ‘S2’, he said

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“I appreciate the support very, very much
but, I honestly don't like these songs either.

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“Hence why I hid them. 
I'm not proud of them.”

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RON: When I create something,

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part of my reason for creating it

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is that I want to leave proof of myself.

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Proof of things that I found beautiful, 
or things that I was interested in.

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So then, you have this

00:11:50.280 --> 00:11:54.660
artist like SoGaP, 
who creates something, but then --

00:11:54.660 --> 00:12:00.480
Something that would have been like 
a beautiful proof of himself and his ideas,

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And then right after he creates it, 
he deletes it.

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I just wonder, like 
what is the ambition of an artist like that?

00:12:08.800 --> 00:12:13.020
In order to explain this attitude
toward his own work,

00:12:13.020 --> 00:12:17.580
it is worth looking more closely 
at the name he chose to be known by.

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The phrase “so great and powerful”

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is a direct reference to a character

00:12:22.320 --> 00:12:27.080
in one of the early 
‘My Little Pony Friendship is Magic’ episodes.

00:12:27.080 --> 00:12:30.280
‘Trixie’ was a unicorn with a huge ego,

00:12:30.300 --> 00:12:33.840
who boasted about having magic 
superior to anyone else.

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“Watch in awe as the Great and Powerful Trixie

00:12:38.100 --> 00:12:44.520
”Performs the most spectacular feats of magic ever witnessed by pony eyes!”

00:12:45.820 --> 00:12:47.840
By the end of the episode however,

00:12:47.840 --> 00:12:51.340
it was revealed that Trixie 
was nothing but a fraud and a hoax.

00:12:51.340 --> 00:12:55.540
”Well I can't, I never have. 
No one can vanquish an Ursa Major.”

00:12:55.540 --> 00:12:57.920
“I just made the whole story up to make me look better.”

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The Great and Powerful Trixie's name is itself 
a reference to The Wizard of Oz.

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While on a surface level,

00:13:04.540 --> 00:13:07.820
the SoGreatandPowerful alias may look boastful,

00:13:07.820 --> 00:13:13.060
it could actually be an expression 
of humility, or even self-doubt.

00:13:13.060 --> 00:13:15.500
Around the middle of 2013,

00:13:15.500 --> 00:13:20.040
shortly after the release of his single, RD / RA,

00:13:20.040 --> 00:13:25.760
SGaP took the unprecedented step
of outright deleting a lot of his songs.

00:13:25.760 --> 00:13:28.600
It was around this time that he said

00:13:28.600 --> 00:13:30.840
“My goal is to make something so good,

00:13:30.840 --> 00:13:34.560
you'll not miss those 
which I just simply do not like.”

00:13:34.560 --> 00:13:38.200
Up until late 2013, SGaP had

00:13:38.209 --> 00:13:40.520
used multiple Tumblr blog aliases,

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such as SoGreatandPowerful, 
horseness, and unmakeablelove.

00:13:45.700 --> 00:13:48.920
He'd been using these for quite a while, 
and it was well known

00:13:48.920 --> 00:13:53.220
that he would usually delete his posts
after a day or two.

00:13:53.220 --> 00:13:57.240
In his blogs, SGaP would 
often discuss the concept

00:13:57.240 --> 00:14:00.139
of an ‘empty set’ -- 
a mathematical term referring

00:14:00.139 --> 00:14:03.080
to a collection that contains nothing.

00:14:03.080 --> 00:14:06.580
For such a contemplative person, full of rich ideas,

00:14:06.580 --> 00:14:09.680
the concept of ‘nothing’ seemed
to fascinate him,

00:14:09.680 --> 00:14:12.840
and it eventually became 
his identifying aesthetic.

00:14:12.840 --> 00:14:17.060
He used the ‘empty set’ symbol 
as his signature across social media.

00:14:17.060 --> 00:14:20.600
He also created a 
character called Null,

00:14:20.600 --> 00:14:24.840
which became something like an avatar 
to represent himself and his ideals.

00:14:24.840 --> 00:14:31.540
As a more personal visualization, 
most fan artwork of SGaP features Null.

00:14:31.540 --> 00:14:35.420
Shortly after SGaP deleted many of his songs

00:14:35.420 --> 00:14:39.220
He also deleted all of the 
HTML elements from his blogs.

00:14:39.220 --> 00:14:41.380
They were just blank white pages.

00:14:41.560 --> 00:14:43.360
He never explained why,

00:14:43.360 --> 00:14:44.900
He just went totally silent.

00:14:44.900 --> 00:14:46.980
And like that he remained.

00:14:46.980 --> 00:14:50.940
His fans had been used to the idea 
of his content being absent,

00:14:50.940 --> 00:14:54.480
and while saddened that it seemed 
there wouldn't be any more,

00:14:54.480 --> 00:14:57.580
accepted that things have come to an end.

00:14:57.580 --> 00:15:02.900
Nearly three years later, 
on April 15th, 2016,

00:15:02.900 --> 00:15:06.820
SoGreatandPowerful posted 
this message on his Tumblr.

00:15:50.720 --> 00:15:52.500
Despite this clear directive,

00:15:52.500 --> 00:15:55.340
most fans agreed that 
removing the archives was

00:15:55.340 --> 00:15:57.400
not something they'd be willing to do.

00:15:57.400 --> 00:15:59.720
And so they remained.

00:16:00.240 --> 00:16:03.660
BOBY: I don’t -- I don’t get it, you know?

00:16:03.660 --> 00:16:06.200
I don’t get why he stopped making music

00:16:06.200 --> 00:16:07.700
and I don’t think he stopped making music

00:16:07.700 --> 00:16:08.580
I don’t get why he like

00:16:08.580 --> 00:16:10.820
just dissed all of his fans 
and just left everyone.

00:16:10.820 --> 00:16:12.280
I don't understand it.

00:16:12.280 --> 00:16:13.240
I don't know.

00:16:13.360 --> 00:16:14.460
I think -- I think he's just

00:16:14.600 --> 00:16:16.320
I honestly think he's just like

00:16:16.320 --> 00:16:20.440
I think he's just an asshole dude.

00:16:20.440 --> 00:16:22.880
Sorry there's a little girl walking by.

00:16:22.980 --> 00:16:26.240
Alright. Wow.

00:16:26.240 --> 00:16:27.260
And that’s

00:16:27.260 --> 00:16:29.640
that’s not gonna stop me 
from listening to his music.

00:16:29.640 --> 00:16:31.920
EMBER: I think the most invested I got

00:16:31.920 --> 00:16:35.460
was actually after he deleted 
a lot of his stuff.

00:16:35.460 --> 00:16:38.220
by having SoGreatandPowerful’s 
music deleted,

00:16:38.260 --> 00:16:41.240
and then having to take 
that extra step to go and find it,

00:16:41.240 --> 00:16:44.960
that definitely helped kick-start me into

00:16:44.960 --> 00:16:47.840
trying to work harder to find interesting music,

00:16:47.840 --> 00:16:50.260
because I knew that it was out there now,

00:16:50.260 --> 00:16:55.300
It was just not as easy to find, 
because the underground music niches,

00:16:55.300 --> 00:16:59.220
and the general underground music scene
is, like, pretty huge,

00:16:59.500 --> 00:17:03.000
if you’re just looking somewhere 
on the internet for good music.

00:17:03.000 --> 00:17:04.563
DMC: As it was -- like,

00:17:04.563 --> 00:17:07.620
let’s say he wouldn’t have deleted anything.

00:17:07.740 --> 00:17:10.980
Like, the channel was still full of all of his stuff,

00:17:10.980 --> 00:17:17.380
none of it is deleted, none of --
none of it is unlisted, it’s all there,

00:17:17.500 --> 00:17:19.920
But he's just not posting.

00:17:24.440 --> 00:17:27.440
And I would say that

00:17:41.840 --> 00:17:44.220
In January 2017,

00:17:44.220 --> 00:17:48.920
one of SoGreatandPowerful’s 
previously unused blog aliases,

00:17:48.920 --> 00:17:51.960
MirrorsForPrinces, posted a song.

00:18:04.040 --> 00:18:07.540
It was the first direct message
from the artist since his disappearance

00:18:07.540 --> 00:18:10.180
nearly a year and a half before.

00:18:10.180 --> 00:18:14.640
Once again, he'd begun posting music, 
sharing quotes, poetry,

00:18:14.640 --> 00:18:17.860
and communicating 
directly with fans.

00:18:17.860 --> 00:18:19.710
By this point it was clear SGaP

00:18:19.710 --> 00:18:22.840
had adopted the new alias 
‘Mirrors for Princes‘,

00:18:22.840 --> 00:18:27.160
in an attempt to distance himself from the past.

00:18:27.160 --> 00:18:30.480
His fans, then anticipating his content's

00:18:30.480 --> 00:18:33.480
eventual self-deletion, as he had before,

00:18:33.480 --> 00:18:35.330
reacted by creating a dedicated

00:18:35.330 --> 00:18:40.800
subreddit and a new public archive
separate from his previous one.

00:18:40.800 --> 00:18:46.500
In turn, the Mirrors for Princes alias
was wiped, and eventually deleted.

00:19:09.620 --> 00:19:14.400
The absence of SoGreatandPowerful
seems to have left his fans searching

00:19:14.400 --> 00:19:17.420
for a meaningful community 
surrounding his music.

00:19:17.420 --> 00:19:20.400
EMBER: I think it was sort of around 
when that happened, when he deleted stuff,

00:19:20.400 --> 00:19:24.520
and he was starting up Unmakeablelove, 
and I started

00:19:24.520 --> 00:19:29.420
like, “Wait, all this cool music that I really liked is now gone?”

00:19:29.420 --> 00:19:34.120
I kind of wanted to really search for it, 
and try to find it wherever I could.

00:19:34.120 --> 00:19:39.360
So, I think around then 
is sort of when I first turned to

00:19:39.360 --> 00:19:42.040
Finding online communities of people 
who had liked his music.

00:19:42.040 --> 00:19:44.120
RON: The people you talk to

00:19:44.120 --> 00:19:49.170
are kind of like a required part of
actually getting it, you know?

00:19:49.170 --> 00:19:52.940
It's more something that you need 
like a community to actually appreciate.

00:19:52.940 --> 00:19:54.200
DMC: In some posts he made

00:19:54.200 --> 00:19:58.540
he was really talking about the
theme of community, and

00:19:58.540 --> 00:20:00.640
how much community meant to him,

00:20:00.640 --> 00:20:05.100
and how he was making stuff 
for the community,

00:20:05.100 --> 00:20:08.360
not only for himself,
because he wanted to be

00:20:08.360 --> 00:20:10.320
a part of that community.

00:20:10.320 --> 00:20:14.940
He was feeling like 
being a part of that community was

00:20:14.940 --> 00:20:18.260
kind of ‘magic’, you could say or ‘special’.

00:20:18.270 --> 00:20:22.100
And so he wanted to be 
a part of that special thing.

00:20:22.100 --> 00:20:25.500
And I think he succeeded.

00:20:25.500 --> 00:20:28.660
I don't know if he feels like he did.

00:20:55.060 --> 00:21:01.720
The SGaP fanbase still exists today.
Dormant, but certainly not dead.

00:21:01.730 --> 00:21:06.230
It is survived through the activities of a
dedicated Tumblr blog, subreddit, and

00:21:06.230 --> 00:21:08.040
Discord server.

00:21:08.040 --> 00:21:11.570
His fans have most
notably contributed a wide variety of

00:21:11.570 --> 00:21:16.560
fan artwork, song covers, 
original music videos, animations,

00:21:16.560 --> 00:21:20.380
and even a compilation album 
called Sori 52.

00:21:20.380 --> 00:21:23.660
of original songs
dedicated to his legacy.

00:21:23.660 --> 00:21:25.880
DMC: If you had to do an estimate

00:21:25.880 --> 00:21:31.940
how many people around the
world are listening nowadays

00:21:31.940 --> 00:21:34.700
to SGaP's music right now.

00:21:34.700 --> 00:21:39.880
I mean, a thousand person tops?

00:21:39.880 --> 00:21:42.400
Two thousand? Maybe?

00:21:42.400 --> 00:21:43.780
In the whole world?

00:21:43.780 --> 00:21:44.820
BOBY: I don’t know if you remember this

00:21:44.820 --> 00:21:46.420
but since the Skype group,

00:21:46.480 --> 00:21:49.120
I've always like offered
people to meet up with me.

00:21:49.120 --> 00:21:50.480
A couple of times I was like

00:21:50.480 --> 00:21:52.399
“This is literally like
the highway that I'm on right now”

00:21:52.399 --> 00:21:53.580
“Come meet me at a rest stop.”

00:21:53.580 --> 00:21:56.360
Every single time I said it 
I was always like genuine

00:21:56.360 --> 00:21:59.000
about wanting to meet up 
with people and like

00:21:59.000 --> 00:22:01.760
It finally happened. [laughter]

00:22:01.760 --> 00:22:03.840
DANIEL: Yeah. 
BOBY: It's kinda crazy.

00:22:03.840 --> 00:22:07.680
‘Cause like meeting Bin was probably
one of the craziest things of my life.

00:22:07.680 --> 00:22:11.440
It's such a small thing, but
everyone in it is like

00:22:11.440 --> 00:22:13.000
weirdly dedicated,

00:22:13.000 --> 00:22:16.960
so like meeting up with like 
solely people that I've met through

00:22:16.960 --> 00:22:19.700
the SGaP chat was ridiculous 
to me because it's like

00:22:19.700 --> 00:22:22.249
it's such a unique interest.

00:22:22.249 --> 00:22:24.160
‘Cause it's not like “Oh, we like pony music.”

00:22:24.160 --> 00:22:25.860
Like there's thousands of people like that.

00:22:25.860 --> 00:22:28.360
But it's just like, “We like this guy and his music.”

00:22:28.360 --> 00:22:30.120
“I've heard like literally all of it”

00:22:30.120 --> 00:22:32.500
And all of us have heard
literally all of his music.

00:22:32.509 --> 00:22:34.592
It's just like ridiculous.

00:22:34.592 --> 00:22:38.000
DMC: It's not really great to say this

00:22:38.000 --> 00:22:40.460
but I kind of enjoy being

00:22:40.460 --> 00:22:44.180
one of the only people I know

00:22:44.180 --> 00:22:49.120
that knows 
some artists, or some music.

00:22:49.129 --> 00:22:52.660
And that kind of makes it special to me.

00:22:52.660 --> 00:22:54.640
They're unknown, and they're

00:22:54.640 --> 00:22:56.740
very-very-very-very-very-very

00:22:56.740 --> 00:22:59.760
unappreciated, and
underappreciated.

00:23:00.940 --> 00:23:04.960
SoGreatandPowerful wrote often
the importance

00:23:04.960 --> 00:23:06.740
of community and friendship.

00:23:06.740 --> 00:23:10.420
Probably the most compelling
thing about SGaP's story

00:23:10.420 --> 00:23:14.400
is how much he valued community, 
and how he, at the same time,

00:23:14.400 --> 00:23:16.800
distanced himself from it.

00:23:16.800 --> 00:23:22.170
SGaP's legacy lives on through his
small, but dedicated fan following.

00:23:22.170 --> 00:23:27.390
The irony in taking a name of a fraud is
that perhaps SGaP convinced himself

00:23:27.390 --> 00:23:29.120
that he was one.

00:23:29.120 --> 00:23:34.020
However, SGaP's fanbase
is living proof that he was indeed able

00:23:34.020 --> 00:23:38.400
to create art that was 
so great and powerful.

00:24:06.020 --> 00:24:09.260
So, it's been almost two years

00:24:09.260 --> 00:24:13.380
since I interviewed 
those fans of SoGreatandPowerful.

00:24:13.380 --> 00:24:16.640
Since I started 
trying to put together a story

00:24:16.640 --> 00:24:20.740
about one of the most interesting 
musicians I've ever come across.

00:24:20.740 --> 00:24:22.760
And so much has changed in the

00:24:22.760 --> 00:24:25.480
last two years that I --

00:24:25.480 --> 00:24:27.860
I just want to talk a bit about 
what I've learned

00:24:27.860 --> 00:24:30.860
throughout that process.

00:24:31.080 --> 00:24:35.560
So, at the beginning, 
I thought that I would be

00:24:35.570 --> 00:24:39.940
putting together a coherent story with a
beginning, middle, and end.

00:24:39.940 --> 00:24:42.049
But what I've

00:24:42.049 --> 00:24:44.280
found out is that

00:24:44.280 --> 00:24:48.480
In real life, coherent
stories don't exist.

00:24:48.840 --> 00:24:55.720
And in real life, 
beginnings, middles, and ends just don't happen.

00:24:55.720 --> 00:24:59.200
So, through the process, we've had to

00:24:59.200 --> 00:25:03.710
We've had to simplify things a lot.
We've had to exaggerate some things and

00:25:03.710 --> 00:25:05.620
leave some things out.

00:25:06.320 --> 00:25:09.400
And I really didn't like having to do that.

00:25:10.900 --> 00:25:16.020
So I just want you to keep that in mind,

00:25:16.020 --> 00:25:19.090
since you've seen the documentary.

00:25:19.090 --> 00:25:21.440
And I just want to ask you not to take --

00:25:21.440 --> 00:25:23.040
Not to take it too seriously.

00:25:23.060 --> 00:25:27.220
You know it's it's really just -- it's a story.

00:25:27.220 --> 00:25:29.220
It's a story. It's a --

00:25:29.220 --> 00:25:34.540
It's a badly written love letter 
to somebody who doesn't even like attention.

00:25:34.540 --> 00:25:39.000
So, yeah. I guess we'll see where the story goes.

00:25:39.000 --> 00:25:44.712
Thank you again to
boby, DMC, Ron, and Emberlyn.

00:25:44.712 --> 00:25:50.540
Thank you to Pacific Dusk 
for providing some animation,

00:25:50.540 --> 00:25:54.460
and for reviewing an early draft of this documentary.

00:25:54.460 --> 00:25:58.560
And thank you especially to Ādia,

00:25:58.560 --> 00:26:05.320
for providing the animation, 
and the narration, and writing the script,

00:26:05.320 --> 00:26:11.300
and just providing so much 
emotional support and motivation

00:26:11.300 --> 00:26:14.540
to really like finish this documentary.

00:26:14.540 --> 00:26:15.960
Finally.

00:26:16.540 --> 00:26:17.760
So, yeah.

00:26:17.860 --> 00:26:20.600
And thank you for watching!

00:26:20.900 --> 00:26:23.980
Wash your hands. Stay safe, stay healthy.

00:26:25.660 --> 00:26:26.260
Bye <3