WEBVTT
Kind: captions
Language: en

00:00:00.000 --> 00:00:05.001
What do Supertone and Vaporware have in common? that's right,

00:00:05.001 --> 00:00:09.007
they are musical genres born on the internet, what if we also create one?

00:00:12.007 --> 00:00:13.006
Welcome.

00:00:13.006 --> 00:00:18.007
I hope you like this new format, recently while I was

00:00:18.007 --> 00:00:23.004
outside of YouTube, I've been working on various things.

00:00:23.004 --> 00:00:27.007
One of them is create a musical genre, you see, about 2 months ago.

00:00:27.007 --> 00:00:31.005
I was arguing on discord, about a certain channel

00:00:31.005 --> 00:00:36.004
more specifically, on the channel of my best friend, Cykada (vinyl for the

00:00:36.004 --> 00:00:40.004
friends) I recommend that you subscribe to his channel, if you aren't

00:00:40.004 --> 00:00:44.009
yet. well the point is he has a special way of doing

00:00:44.009 --> 00:00:49.001
music, it shows a lot in its beginnings

00:00:49.001 --> 00:00:50.009
what really got my attention, listen.

00:00:50.009 --> 00:00:53.001
This is a song that I did with him.

00:01:04.009 --> 00:01:09.008
In the end we decided to create a genre from that,
and it was called Kadacore

00:01:11.004 --> 00:01:16.004
Kadacore: musical genre inspired by the absence of bass and extreme

00:01:16.004 --> 00:01:21.000
distortion generated by filtering a lot the kick

00:01:21.000 --> 00:01:24.008
I know that maybe there are even more important things
to worry about

00:01:24.008 --> 00:01:28.009
instead of making a musical genre, since there are already
thousands of them

00:01:28.009 --> 00:01:35.001
but let's continue, I decided to inaugurate the genre collaborating with
acid Applejck

00:01:35.001 --> 00:01:38.003
Which I also recommend that you subscribe

00:01:38.003 --> 00:01:40.005
then this is the final result

00:01:52.002 --> 00:01:54.009
the truth is that it did not turn out as well, as I expected

00:01:54.009 --> 00:01:59.003
something must have gone wrong in the process,
so I set about finding out,

00:01:59.003 --> 00:02:03.005
What makes the song different with cycada vs the song

00:02:03.005 --> 00:02:07.005
with acid applejack, it turns out that in several studies it is shown how

00:02:07.005 --> 00:02:11.006
our brains react to the bass in a song, an article in

00:02:11.006 --> 00:02:15.007
specific, talks about how our bodies seem to feel more bass

00:02:15.007 --> 00:02:21.002
than our ears, How will you know the sound is nothing more
than the impulses of

00:02:21.002 --> 00:02:25.000
our brains, which are generated from the waves that

00:02:25.000 --> 00:02:29.001
travel in the air, and collide with our ears, defending their

00:02:29.001 --> 00:02:33.009
frequency, that is, how many times the wave vibrates per second

00:02:33.009 --> 00:02:38.007
we can distinguish the height of the sound, so we can
differentiate between sounds

00:02:38.007 --> 00:02:43.000
treble, mid or bass, but for the moment we will concentrate on the bass

00:02:51.004 --> 00:02:56.000
There are certain frequencies, below 20 hertz, where

00:02:56.000 --> 00:03:00.001
our ears can no longer distinguish waves as sounds, instead

00:03:00.001 --> 00:03:04.001
our body manages to distinguish them as vibrations, and that

00:03:04.001 --> 00:03:05.001
feels good

00:03:05.001 --> 00:03:10.000
We want to keep listening to the bass, that's why there are so
many videos with

00:03:10.000 --> 00:03:14.001
the phrase "Bass boosted" in the title, but there is also another reason why

00:03:14.001 --> 00:03:19.008
Bass songs are good, and I think it's even more important

00:03:26.002 --> 00:03:30.004
Bass is the harmonic and rhythmic base of a song, This works

00:03:30.004 --> 00:03:35.006
like a mattress, thus giving meaning to the other sounds,
returning to the

00:03:35.006 --> 00:03:39.005
article of the Merriam School of Music, a study by trainor and

00:03:39.005 --> 00:03:43.005
colleagues at the Processing of the National Academy of Sciences

00:03:43.005 --> 00:03:45.003
which says:

00:03:58.003 --> 00:04:00.008
That is why when deleting the bass from a song

00:04:00.008 --> 00:04:06.006
It feels empty, almost without rhythm. at this point make a genre

00:04:06.006 --> 00:04:11.004
based only on the absence of the bass seems like a great nonsense, but

00:04:11.004 --> 00:04:16.006
however the song with cykada, Even without the bass,
seems to keep the

00:04:16.006 --> 00:04:20.003
pace and intensity, it almost covers the entire audio spectrum.

00:04:20.003 --> 00:04:25.008
except of course, the bass. in fact the song has

00:04:25.008 --> 00:04:29.001
similarities to something called White Noise.

00:04:32.001 --> 00:04:36.001
in short, White noise is a persistent noise over time.

00:04:36.001 --> 00:04:38.006
Which covers most frequencies.

00:04:38.006 --> 00:04:43.000
An example would be the sound of rain, wind, many people

00:04:43.000 --> 00:04:48.008
hablando en una cafetería o el ventilador de tu casa

00:04:48.008 --> 00:04:53.001
this kind of noise feels so good, that there are hundreds of
videos of more than an hour

00:04:53.001 --> 00:04:55.001
where only white noise is heard

00:04:55.001 --> 00:04:58.003
and it is that it helps us concentrate, and even ca-

00:05:03.004 --> 00:05:06.004
https://www.youtube.com/watch?v=kW0ev98jR6U

00:06:08.003 --> 00:06:11.000
dont trust in she, is lying... {136}