WEBVTT
Kind: captions
Language: en

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[laughing]

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Alright, okay.

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Let’s watch an animated McDonald’s commercial.

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Humor me.

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And that’s why I’m laughing.

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C’mon.

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If you haven’t worked at McDonald’s yourself,
you know somebody who has.

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Is this the story that they tell you?

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Of course not.

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It’s an adorable commercial.

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In English this style of animation is called
anime.

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Anime originated in Japan and is a hundred
years old.

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The biggest hallmark of the style is large
eyes, but there are tons of anime that use

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realistic eyes or even solid black dots for
eyes.

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What sets anime apart from other cartoons
is the method of storytelling.

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It draws more on emotion and feeling than
it does plot or goals.

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Sure, the characters often work towards a
goal like saving the world, but it’s the

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relationships between the characters that
make the story.

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Even in this short commercial you can see
that.

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A Western version of the commercial would
show the employee training every day to become

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the manager, probably to solve some kind of
problem like not having enough tuition money.

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The Western formula is problem: solution.

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The anime is about the flustered new employee
and her interaction with the manager and customers.

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Anime is about characters.

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For that reason there are lots of popular
anime that are literally about people living

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their everyday, normal lives, just like you
and me.

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No magic powers, no monsters, no futuristic
technology.

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Lucky Star is an example of that.

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The commercial is short so it’s more animated
than a typical anime, but I can still use

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it to show you anime efficiency secrets.

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Anime is very good at cutting down on character
motion and putting the saved time into backgrounds

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and widely varied character designs.

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First is camera panning.

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Don’t animate anything.

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Just pan along a nice background.

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Play music or character narration or offscreen
dialogue.

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If somebody is talking, point the camera somewhere
else so that you don’t have to animate their

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mouth moving.

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Pointing the camera at somebody’s reaction
to the thing being said is common.

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Only animate part of the character.

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Everything else stays still.

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Crowd shots.

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Don’t animate the crowd.

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Draw people frozen in place and only animate
the character who is speaking, or only animate

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the main characters walking.

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In this shot, tiny animations on the still
characters give the illusion of action.

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The commercial goes the extra step to animate
the hands on this guy in the background.

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Normally he’d be still.

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Extreme closeups.

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The less of the character you have to animate,
the better.

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One thing the commercial does that anime tends
not to do is reuse backgrounds.

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And anyway, reuse of this background is done
on purpose, not to save time.

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It’s meant to show a cycle of life - how
people start from one role and move to another.

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You’d think that considering everything
else anime does to cut down on actual animation

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they would reuse backgrounds, but they don’t.

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Even if half the episode takes place in the
same classroom, they redraw it from different

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angles, positions and perspectives.

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So.

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Which do you think is worse - working at a
fast food place, or working as an animator

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in Japan?

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I hear the industry is cutthroat and stressful
with long hours.

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Then again, I hear that about everything in
Japan.

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Friendship time!

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I collected art where I’m together with
others.

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This is me and Bluescar.

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Sometime we have to part ways.

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I have a few pieces of art with Scribbles
and Cyn Wolf together.

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This one is by Talonsoficeandfire.

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Taking naps on dragons is always a good idea.

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Nightcomet doesn’t seem to mind.

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Yet.

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I actually do eat raw lemons.

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I had one yesterday.

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Is that a heart tattoo on Raven Blade Kitty’s
face, or is her fur just naturally like that?

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A bunch of me’s in a bunch of styles together
with Bumble Flow.

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Start the episode with anime, end the episode
with anime.

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Hummingbird watching with CattiMadi and DannyFox.

