WEBVTT
Kind: captions
Language: en

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Scribble Kibble is a show about animation.

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Last month I went through Netflix’s animation
category and added every movie I thought looked

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interesting that I hadn’t seen.

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Then I took the whole list and looked for
what I thought was the weakest movie and I

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watched it.

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Sahara is so bland that about 15 minutes in
I was considering calling it quits, and me,

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I’ll suffer through just about any movie
or book I start.

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Sahara is bad, but not bad like animation
quality bad, bad as in the movie has no idea

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who it’s for or what it’s about.

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And it’s not even terrible enough to be
entertaining.

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It’s a soulless desert of mediocrity.

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Supposedly Sahara is for kids, but the movie
begins with one of the main characters getting

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beaten with a rock until he blacks out, the
other main character spends most of her time

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as a slave trying to keep her distance from
a lecherous male snake, and her brother is

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a drug addict with a voice that makes you
want to strangle him.

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Despite these teen topics, the movie has no
adult humor or sensibility to it at all, making

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it incredibly boring for parents.

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On top of that, the film has no main theme
or lessons.

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It’s about blue snakes versus green snakes,
er, poverty versus prosperity, no, wait, it’s

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about police brutality, oh just kidding it’s
a love-at-first-sight Romeo Juliet story.

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Ohh, it’s an adventure story.

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No wait, it’s about slavery.

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Friendship?

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Alright.

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I have no idea what this movie is about.

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After it ends you come away with nothing.

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So here’s this cliché-ridden, rambling
plotline, and suddenly, out of nowhere, a

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fantastic scene slams into your face.

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What this is even doing here, I have no idea,
but it’s absolutely amazing and I love it.

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This particular sequence is by a couple of
artists separate from the main animation crew

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and wow, is it stuffed with psychedelic trippy
symbolism, from the Garden of Eden to loss

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of personal identity.

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At first glance, the animation looks to be
2D.

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It starts with painted 2D illustrations.

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The swirling snakeskin pattern in the background
is 2D art doused with blur and color effects.

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You can actually see the pattern when it shows
up again here in blue.

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The waveforms that come next are hand animated,
probably with a wave warp special effect added

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on to them.

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But it’s here, at the frame-by-frame paint
splashes where things get interesting because

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those animations are mapped onto a 3D environment,
which turns out to be this snake.

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The top of the snake has an animated texture
masked on to it.

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What mask means is the animators take this
flat shape and tell the artwork or video clip

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to only show in that area.

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I can’t figure out if the green snake is
hand drawn or if it is the same 3D model from

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the movie with different lighting settings
to make it look 2D.

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The accuracy of the head shape and body pattern
suggests it’s 3D.

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Technically you can accomplish the same thing
by animating a still painting (here’s an

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animated painting), by rotoscoping / drawing
on top of a raw 3D animation, or by being

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a perfectionist at staying on model when drawing
the character.

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The fully detailed snakes are probably 3D
though.

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But wow, what a great section full of color
and texture and art.

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It’s the oasis in this desert of a movie.

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I daresay there’s another thing I enjoyed
about Sahara, and that’s the snake dancing.

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I could’ve watched an entire movie about
snakes dancing.

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As an animator, the nice thing about snakes
is the character bones are relatively straightfoward:

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you don’t have to worry about hands and
arms and legs, all you need to do is animate

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curves.

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It’s entertaining to watch these simple
shapes do intricate break dance moves.

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I wish there’d been more of it.

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Heheh.

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A musical dance movie with snakes.

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That’s totally ridiculous, never mind.

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What I’m trying to do is reimagine this
movie.

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This is an exercise you can do to get better
at writing stories.

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Take a movie or book you didn’t like, figure
out what about it is good and should be kept,

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and what was bad that you would change to
make it work.

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Sahara has strong character designs and character
animation.

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It has many potentially interesting themes,
but it never spends more than ten minutes

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on any one of them.

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For a kids movie, I’d center the story around
dancing, get rid of the romance, and pick

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a lesson.

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How about: if you work hard and practice,
sometimes you’ll still lose.

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For a teen movie, I really like this idea
of being forced to adjust to a new reality.

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Spend the first part of the movie with these
two characters already together and in love.

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Then, sudden disaster and we never see blue
snake again.

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Green snake learns to survive in a harsh world
where failure ends in death.

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Male green snake is supportive instead of
arrogant so we like him as an audience.

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These two bond and fall in love.

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But then, surprise!

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Blue snake rescues everybody and now she has
to choose between the two!

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Oh, what a painful choice!

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Do I stay with the person who helped me survive,
who faced all of these difficult choices with

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me, or do I go with the person I once loved
but I’m not sure I know anymore?

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Hey, if you want to make a brutal, Hunger
Games-level story, make all of the characters

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humans, and the turning point is when the
young woman is kidnapped and plunged into

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the world of human trafficking.

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She struggles to survive and bonds with a
young man who is a victim too.

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After a few years her fiancé rescues her
with the help of the authorities.

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But by then… is she the same person anymore?

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There’s a good story.

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C’mon, there’s a good story in this movie:
give it to me!

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So I’d like to know, what bad movie did
you watch recently, and what would you do

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to fix it?

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Comment below!

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During the Here’s The Plan episode, I asked
what your plans were.

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Here are some of your responses.

