WEBVTT
Kind: captions
Language: en

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I find this one really interesting.

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It’s called The Saga of Rex.

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Link below, pause for you.

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Yeah, the thumbnail looks like it’s a regular
animal cartoon, but then aliens.

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Aliens.

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The Saga of Rex has its own saga.

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The animator, Michel Gagne, has decades of
experience and worked on real nostalgia kicker

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movies like Land Before Time and The Iron
Giant.

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More recently, the game Battleborn and the
My Little Pony Movie.

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His record is full of visual effects Director
roles - which means animating effects like

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this and these.

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Rex is Gagne’s thing, that’s his own cute
little fox.

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It must be really great to have this after
all that time making magic for others.

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Saga of Rex began a long time ago as a 32
page black and white graphic novel, reborn

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into a new story a few years later.

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Then it took shape as a massive, full color
graphic novel funded via Kickstarter.

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Gagne animated it, presumably to turn it into
a pitch for a full movie.

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And the great thing is it’s becoming a movie,
a full hour and half with no dialogue.

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Yep.

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No dialogue.

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I think it’s going to be wonderful.

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I don’t know how much of the visual style
of the animation will hold true to the movie,

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but I’d like to think it will be similar
or higher.

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Gagne animated Saga of Rex mainly in Toon
Boom, with some backgrounds and painted elements

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made in Photoshop, After Effects for special
effects, and Premiere for editing.

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Gagne actually draws a lot of his effects
by hand, so I’m thinking After Effects is

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for things like the lightning over the spheres
and these smoke tails, but NOT for the sparkly

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shimmers.

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Those are handmade.

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I think I know which effect the lightning
is.

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Let me try it.

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Yes, no, maybe?

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The Saga of Rex animation makes a lot of use
of Toon Boom’s puppet tools and/or After

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Effects puppet pin tool.

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Essentially what you do is put a pin on a
part of the body you want to use as a joint,

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and then drag the body part around.

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You’ll notice it a lot if you watch this
again and look for it.

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Any time there is no new drawing, and animals
are swaying or wiggling, that’s puppet pin.

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Watch the little legs on this bug.

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And the distortions of this spine-backed - um
- thing.

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The art isn’t new, it’s just being deformed.

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It’s a great time-saving trick.

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You can even animate tails this way.

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It doesn’t look as natural as this hand
drawn tail, but it gets the job done.

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The most obvious use of the distortion is
the last part with Rex in it.

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His body is squishing and shrinking and the
tail is floaty.

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Contrast it with the drawn frames right after
that.

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A great feature that Toon Boom has is for
coloring characters like Rex.

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Notice the dark brown outer line on him.

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This line doesn’t exist for his face pattern.

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Normally what you would do is draw the face
pattern shape with the color of the fill,

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like this.

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But!

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In Toon Boom, you can draw invisible lines.

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That gives you all of the control of line
editing with these control points, but no

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visible line.

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It’s great for animating sections of color
that have no visible line between them.

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Watch the pencil test for the animation, and
you’ll notice there are these crazy clouds

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of lines moving around all the time.

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That’s for shading.

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It’s sloppy outside the character because
the only thing that matters is it makes a

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complete shape so you can fill it with a bucket
tool quickly.

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Nothing outside the character shows in the
final product.

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Shading is toned down and softened as part
of the style.

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Alright.

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It’s been a long time coming for the movie,
and it looks like we’ll still have to wait

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a few years, so yep.

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I guess we’ll keep waiting for it!

