WEBVTT
Kind: captions
Language: en

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Welcome to a spoilerless episode of Scribble
Kibble, a show all about animation and how

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it’s made.

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This episode of Scribble Kibble is brought
to you by… you.

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That’s right, you.

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You’re the greatest!

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Yes, you’re the greatest in the galaxy!

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And Wander Over Yonder is probably cartoon
with the highest quality animation on TV right

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now.

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Or was, I suppose, since it’s over and I’m
so sad.

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AAAAHHGH I’m so sad.

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The animation is a love song to the 80’s
with that era’s bizarre color choices, black

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lines, and minimalist design but with all
of the power of modern digital animation software.

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And the writing is so snappy, so clever, so
funny, and on occasion shocking and intense.

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I admit, I cried once.

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It was an episode about Sylvia.

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The characters are fun and I love them, but
the animation, the animation!...

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The people making Wander Over Yonder really
understand how animation can put zing into

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a joke in a way no other art form can.

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There’s one episode where the main characters
spend 15 minutes trapped in a blank white

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space where they can do anything.

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It’s a real treat to watch the animators
go crazy with it.

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The production team uses Toon Boom Harmony
to make the animation.

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This newest version of Toon Boom has a special
engine for dealing with puppets.

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If you’ve seen The Lion Guard, Disneys’
spin off Lion King TV series, it also uses

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this Toon Boom Harmony technique.

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But with Wander Over Yonder, instead of doing
what you would normally do with a puppet,

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which is position the different static pieces,
the studio takes the hand drawn pose sent

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to them and liquifies the puppet pieces, molding
them to the shape of the storyboard drawing.

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It’s 2D sculpting.

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If you’ve seen the show everything is very
droopy and smooth.

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There are not very many hard edges or sharp
points.

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While the show uses puppets, it’s not really
much of a puppet show, since the artists redraw

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the puppets constantly to fit the storyboards
they’re given, rather than reusing a puppet

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that already exists.

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Haha.

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Efficiency is not the idea here.

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Really fun, energetic animation is.

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Now I will say when you hit Season Two, the
is a sudden noticeable drop in animation quality.

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It looks and feels very much like your typical
puppet cartoon.

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As the season progresses it gets markedly
better and catches up quality-wise after a

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few episodes, but it still feels different
from what they had going on in season one.

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I’m not sure what caused the change.

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Budget cuts, time cuts, changes in the workflow,
switching production studios, it could be

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any number of things.

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It’s not that uncommon for animation styles
to change between seasons.

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We’re lucky because some of the animation
notes for Wander Over Yonder are floating

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around the internet.

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This sort of reference sheet, or show bible,
is very useful when you’re trying to learn

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about animation.

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I greatly appreciate that the show has its
own animation mechanic, which they call the

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Lava Lamp or Lava Theory.

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Gravity acts on the characters as if they
were full of water.

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Especially Sylvia.

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Her snout is always flopping around.

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Some of the highlights here are the rules
of appeal for each character that show how

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to draw them so they look their best, and
the fact that when you draw Lord Hater you’re

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supposed to start with the emotion, not the
construction lines (which are the circles

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and lines you see in most artist’s rough
sketches).

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That explains why he has the most spontaneous,
exaggerated posing out of any of the other

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characters.

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I’ll link the animation sheets below if
you want to look at them.

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And on that note, I’ve got just one last
thing to say.

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AAAAAGH!

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Animation is so hard.

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People who do this for a living deserve more
credit and respect.

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I have a feeling there might be some first-time
Scribble Kibble viewers.

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Shout out in the comments section if this
is your first episode!

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My favorite Wander Over Yonder character is
actually Commander Peepers haha.

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Along with Lord Hater.

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What’s on screen now is art people sent
in.

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A good amount of it is way beyond what I can
illustrate.

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I mean, look at this.

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Wow.

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You know, one thing I hear artists say a lot
is they can’t come up with their own art

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style, but when I look at each piece of art
here I can see the style in it already.

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Notice how Reuben’s lines don’t connect.

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Neither do Tyler’s, but the look and feel
is very different.

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And here’s the sketchy outline style of
TheEchoThatLasts.

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Plus everybody has their own way of drawing
eyes 

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and noses.

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That’s all for today.

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Come back next Friday for a new episode.

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This show is run by you.

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Tips and Patreon support all the way.

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And hey, it never hurts to help!

